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I really like this new video from Ghostpoet – (Obaro Ejimiwe).. although a little harsh dude… ‘he just ain’t the one man you just know init..’ was the lyrical highlight for me. Ha. Anyway..   it’s the new single, the wonderfully titled ‘Sorry My Love, It’s You Not Me’ for release on 31st July through Play It Again Sam.

What’s the video about? A reflective narrative sees Ghostpoet weave tales of a one-night stand, articulating the awkwardness, hand in hand with wanting something more meaningful. Cohabiting with cinematic instrumentation and featuring guest vocalist, singer/songwriter Lucy Rose, ‘Sorry My Love…’ walks the same emotive, self-questioning axis that permeates his recent album, ‘Shedding Skin’ to great effect.
 Following his recent sold out UK tour, and news of a Shepherds Bush Empire show in November, Ghostpoet has conformed various festival appearances as follows:
June 20 Croyde, GoldCoast Oceanfest
July 03 Winchester, Blissfields Festival
July 17 Oxford, Truck Festival
July 24 Sheffield, Tramlines Festival
July 26 London, Womad Festival
Aug 28 Leeds Leeds Festival – NME/BBC Radio 1 stage
Aug 30 Reading Reading Festival – NME/BBC Radio 1 stage
Sept 04 North Wales, Festival No. 6
Sept 05 Brighton, Together The People Festival
Nov 21 London, Shepherds Bush Empire (tickets)
‘Sorry My Love, It’s You Not Me’: iTunes | Spotify
‘Shedding Skin: iTunes | Spotify
Ghostpoet: Official Site | Facebook | Twitter | Instagram
Enjoy! Becki Bx
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Artist: Mr Adrian Mills

From: Rugby ,Warwickshire

Current location: Suffolk

Current happiness levels out of 10: 7

Favorite film: Singing In The Rain

Favorite Book: (Novel) The World According To Garp (John Irving), (Children’s book) The Red Tree (Shaun Tan)

Favorite colour: Orange

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You say you aim for your art to be ‘contemporary’ can you go into that in more detail?

I try as time goes on to change my style, this isn’t a conscious thing but my work changes as I change my art materials, for example I have just changed pens and my work has become more finely defined.

You create images for both adult and children – do you have a favourite audience to create for?

I think it’s a very fine line from the children’s work and adult, as much of them are characters’ I do enjoy working on the adult themes as I sometimes think maybe my work is too dark for children but I have a very exciting project lined up so lets see how dark I can go.

You have studied art to a Masters level – did you find that imperative for your skills? Can art really be learnt?

Before I started my masters in which I need to finish, I thought I was a good artist but I have learnt so much from that course. I have learnt to draw as view, to see life as stories and watch the world in a different way. “Art can’t be taught but the way of you seeing art can.”

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Where do you find your inspiration?

I find my inspiration from every day life, I always carry a sketchbook around with me…since I can remember. I am always writing down questions and what I see on my travels, and you never know when they may pop into your head. I also did a project in which for a year I drew everyday things. This helped my skills as an artist and encouraged me look at the world a different way. I sometimes wonder if everyone looks at the world in a different way.

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Have you experienced a creative block/or black hole?

Yes I go thought many creative blocks as life gets in the way and work. At the moment I have many projects and cant get moving on them.

So what do you do to get out of it? Tips?

Normally a day in a busy city normally works, seeing art and creative people. This helps me to start believing in myself again.

Has it been difficult to carve a career as an artist? Was it a childhood dream?

Yes, I have worked every day to cultivate my skills as an artist. I have always drawn and was lucky as a young boy to have a friend who loved art as much as me. I always knew I would always have the skills as a creative and have always spent a lot of time with artists, so I knew that is what I would do. I couldn’t imagine what life is like without art?

What do you think you would do if you weren’t an artist?

When I was young I wanted to be a stunt man as I watched too much of the The Fall Guy but I never learnt to drive or… a time lord! I work in care so I think I would have been a nurse as I like caring and helping people.

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Your favorite current artists?

Like music it depends on my mood but I am a big fan of Turner, I love his big spaces and moods. As for children books I love Shaun Tan books, his writing and energy and the great Catherine Rayner . I have just found a great children’s artist Chris Applehans and look forward to seeing his future work.

What is the most important thing in life?

To be nice to everything and leave something nice and good behind for people to talk about.

What is the most beautiful thing about art for you?

I sometimes speak to people who say they are bored and don’t know what to do, I feel I can not be bored as I create images, dreams that it seems people can’t get out in any form. To feel that mood when you are drawing is so special.

Do you feel like you’re on the right path?

It’s been a long path as I work part time on the other days… so every spare minute I create my art. I have an exciting project in the works so I do feel like it’s all finally coming together at the moment.

What would be the dream?

To travel the world, for people to like my work and give up my part time job and draw every day.

Looking at your life from ten years ago – are you where you wanted to be?

I did think I would of got my art out by now but I am happy that I am still trying.

The next big election is coming up in England – do you have any hopes or thoughts on this? Artists can be influential… no?

I am very interested in Politics and have strong views, having been a young man in the 80s. I have always been interested in the daily politics cartoon which still runs in the UK. It must be a hard job to do… to make a comedy out of the politicians. Or maybe not as politics does seem to be a comedy most days.

Favorite quote to leave us on:

“If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.”

A.A. Milne, Winnie-the-Pooh

Links to work:

http://adrianmillsillustration.blogspot.co.uk/

http://adrawingolifeaday.blogspot.co.uk/

http://creativepool.com/adrianmills

Enjoy! Becki Bx

 

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                                                                                   “Hell is other people”

Set upstairs in an intimate room above a lovely little pub in Camden called ‘The Lord Stanley’.. I squashed myself in between two men, academically clad in rounded glasses and corduroy suits. They looked like they knew their Descartes from their Heidegger and I found myself begin to worry that the play I was there to see, was going to be full of linguistically respectful sentences only someone who had studied literature/philosophy might be able to understand. New to Philosophy, I fell for its charm when I discovered… from a little self study that I might be suffering a little from Existential Angst.. and since then I’ve found myself wanting to read/know more, albeit finding the subject a little intimidating as a self starter.

I was there to see the performance of the play ‘No Exit’ by Sartre – which was being put on by the Theatre Collection company (founded and run by Victor Sobchak).

“Remember you’re not alone; you’ve no right to inflict the sight of your fear on me.” Jean-Paul Sartre, No Exit

Performed behind a wooden mesh, I was impressed by the theatre’s resourceful use of both the space and lighting. I forgot to worry about my lack of knowledge and my intellectual looking neighbours as after ten minutes I found myself absorbed in the extremely well acted discourse between the three ‘deceased’ characters.

The story in a nutshell, is a depiction of the afterlife – and punishment is being locked in a room together for all eternity. It is based on the quotation “L’enfer, c’est les autres” or “Hell is other people” in which Sartre very cleverly sums up the hellish reality of living with other people, the struggle for tolerance.. and the struggle of seeing oneself as an object in another persons world. The three characters in this adaption are played by actors Shaban Arifi (Garcin) – Phoebe Higson (Estelle) – and Josephine Berry (Inez).

On leaving, feeling thoughtful, yet in a jovial mood I turned to my friend.. who had been sitting a few rows back.. “So… what did you think?” I asked him… “I thought it was brilliant!” he beamed at me.. “But Becks…” he turned to look at me – a serious expression on his usually upbeat face…

“I think we are stuck behind that wooden mesh.. and we’ve gotta get out…”.

I looked seriously back at him. “Yeah.. I know…”…I smiled back.

INEZ: One always dies too soon – or too late. And yet one’s whole life is complete at that moment, with a line drawn neatly under it, ready for the summing up. You are – your life, and nothing else.”

Highly recommended – go see! It’s playing until the 24th of March… buy tickets HERE

This week Becki is going to find a copy of Bertrand Russell’s ‘The History of Western Philosophy’ and start reading it on recommendation from the very nice man who was sitting next to her…. a great place to start apparently… 😉

SARTRE FACT: Sartre was awarded the 1964 Nobel Prize in Literature but refused it, saying that he always declined official honors and that “a writer should not allow himself to be turned into an institution”

PS – I’m running the 10k in May raising money for Mind/Home Straight/Children’s Society – please sponsor me if you can! Thank you! Link HERE

Until next time folks.. have a good week..

BeckiBx

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Article by Duncan of/from Philosophy On Ice

A small indicator of my respect for any given person leans on their tendency for using profanity, and their acceptance of it as a linguistic necessity for communication. It is no accident that those who are most interesting in life usually are partial to using ‘bad language’; that term being one which should no longer apply to such diverse and useful words that only the babyish prudes of this world wince at in public.

Let’s start with blasphemous words – the easiest to discredit as offensive. In meaning, they are usually synonymous with cursing, often with a sense of incredulousness. ‘Jesus Christ!’ one might exclaim, as they see their beloved kitten dive into a blender without scruple. ‘Thank God that Whiskers has not been reduced to mincemeat!’ they might add, before comforting the kitten at once, and licking it with a fresh tongue as a weird means of interspecies bonding. Most people will have had the experience in life of being given a good telling off by religious individuals who hold an eerie sense of religious propriety, defending as they do so that ever more lenient third commandment (for which the punishment is death, by the way). On these occasions, however, you can have good reason to politely tell them where to stick it.

ALBUM PREVIEW: Dance Spirit ‘The Sun Also Rises’ – 

Aside from being invasive on your belief system, whatever it may be, these zealots are failing entirely to acknowledge the true usage of these words. When I exclaim ‘Jesus!’, I am not calling for the return of the prophet, or addressing a pubescent Spanish boy. What I am really saying is ‘Ouch’, ‘Wow’, ‘Oh no’, or one of various other uses for the curse. Whilst trepidatious about being stoned to death for using the words themselves, it is understandable that these individuals would not want to indulge in using the words, but one ‘should’ not impose this absurd notion on others.

Let’s talk about ‘Fuck’ – everybody is intimately familiar with the word. Here we have a word that is so diverse that it can be annexed to any sentence. ‘Fuck off’, ‘Where’s my fucking Lego’, and ‘Get the fuck out of my conservatory’ are sentences that are all rather incoherent linguistically but of which simultaneously are all perfectly understandable to us. If you have Lego, that is. The point is that the word itself is stripped of all meaning in most cases, and simply used as a tool for emphasis in language. ‘Get the fuck out of my conservatory’ provides a much more austere, uncompromising request than the dithering, pathetic ‘Get out of my conservatory!’ alternative. Aside from this, there is a more obvious connotation of the word. The general meaning of ‘having sex’ is attached rather frequently; genitals becoming a childish focus and a running theme through most ‘filthy’ language. ‘Twat’, ‘Piss’, ‘Shit’, ‘Cock’, ‘Dick’, ‘Arsehole’, ‘Cunt’ – the more sensitive the area of focus here, the more offence that ostensibly seems to be caused.

If you were wincing as you read that brief list then do not worry, it is entirely natural – I winced a bit whilst writing them. It is because we are taught from an early age, as a matter of simplicity, that these words are bad in themselves. Which they are not – neither phonetically, nor as a word with a direct reference to a body part. ‘Bad language’ is entirely based on the context in which particular words are used in any given situation, in which we can deem them rude or offensive, or indeed humorous, emotional or profound.

Profanity, of course, can be inappropriate too – it is clearly a situational judgement. Should we liberally be swearing at or around children? It would probably be wise that we do not. Not because of the idea that, stripped of meaning, these words are bad, but simply because it is probably not a healthy environment for a child to be constantly surrounded by sexual references, which profanity often has attached to it. In the same way that we censor violence, some things are prudently not exhibited to credulous minds that may or may not understand the meaning of such things yet. Exempting children though, if you feel you are not enough of a grown up, and you believe you must in fact be censored from these things, you have probably not actually emerged from that childhood squeamishness at all.

The bottom line is; we should not be treating ‘bad’ language as bad at all, but simply as another tool available to us within the art of language. Whilst these words are not always appropriate, if you can learn to use them correctly, they can be incredibly effective and incalculably useful to us. The only reason they should ever be described as ‘offensive’ must be in direct relation to the rest of the words uttered within the sentence, within the context of that situation.

Do you agree/disagree with Duncan? Tweet your thoughts or leave a comment! @ohdearyme @PhilosophyOI #ohdearyme 

ohDearyme takes submissions… do you have something to say? Get in touch…. beckiburrows@gmail.com

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INTERVIEW WITH: Jay J writing Streetplay

From: Scotland

Current location: London

Current happiness levels out of 10: 10 

Favourite film: The Matrix 

Favourite musician: When I spray….  Beethoven

Favourite artist: Dali vs Banksy 

Favourite book: ‘The Power of Now’ by Eckhart Tolle

Favourite colour: Green

SkullDuggery

  “Skull Duggery” Medium: Mixed Media, Spray Paint on Canvas with gloss varnish

Brief synopsis of your art: My art reflects where I am at today, my mindset, my challenges and my perceptions of the society that we live in.  

London opened the world of spray art to me. After 15 years in Scotland I craved adventure, I knew there had to be more. The days of running around my village spraying my OWN name, however exhilarating were over.

I travelled and hustled and grew, finally coming to the conclusion that the career I had forged in a senior management level position within London’s corporate world had left a void. I should have realised when I had more fun at the whiteboard than any other place, occasionally leaving some random works of art for my colleagues. I fell in love with the reactions.

Through a chance encounter, I found my education at Graffik Gallery a street art gallery on Portobello Road. I was in the thick of it, bathed in inspiration from teaching graffiti workshops, curating shows to stretching canvas and being constantly surrounded by amazing works, exhibitions and artists.

I consider myself an emerging artist, commissioning and selling works internationally to private, public and celebrities. I use a mixture of media, work freehand and use stencils. Spray paint, fat caps and London’s streets have given my life….. life.

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INTERVIEW:

You sell and commission work for Graffik Gallery – what advice would you give to artists putting forward their pieces? The best advice I could give is find your own style and believe in it.

What do you look for in a piece of art? The artists voice, what are they trying to say? 

Huge fan of? Schoony, he is one of the good guys!

What sort of pieces do you like to create? Is there a correlation throughout your work? Whatever inspires me, that’s the beauty there are no rules. I will definitely run a series of works from a subject that has caught my imagination. 

Favourite inspirational quote? Marilyn said it best, what a girl 🙂 

“I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they’re right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together.”

What advice would you give to aspiring artists who are struggling to start out? Reach out, if you don’t know ask. So many amazing people in this world… you will find them when the time is right.

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                                      “The Last Super” Medium: Acrylic Spray Paint on Canvas with matt varnish

Where do you envisage yourself in ten years time? I see myself with my own gallery in Australia, making art, teaching workshops on the beach and surfing ahhh!

Knowing what you know now…. would you go back to the corporate world and trade in your career in art for a huge salary if it was offered? I would rather have my soul. 

Will you be voting in the next election? Don’t get me started Becki. 

Jay J does private workshops, for individuals and companies… his workshop CV to date includes the likes of Facebook, Google, Microsoft and Fred Perry to name a few. Please find his contact details below..

art@street-play.com

Instagram: jayj_streetplay

Twitter: @jayjstreetplay

https://www.facebook.com/streetplayartist

www.street-play.com 

Have a great week 😉

Becki Bx

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